First appeared on Blogcritics.
Episode 15, “Granite State,” opens as slickly as any previous one ever, using the device of deflecting us from the scene we are waiting to see for one we get. The “vacuum” guy’s van pulls into a deserted looking warehouse (is there any other kind on TV?). We get a glimpse of him for the first time (an excellent Robert Forster) who slides open the van door to allow – Saul Goodman (Bob Odenkirk) passageway. We were expecting to see Walt and we get Saul, who also is making himself disappear, in his case to Nebraska.
Saul gives the episode brief humor, expressing surprise that the “vacuum” guy does indeed repair vacuums in the vast warehouse. He also changes people’s identities to help them go off the spectrum, and we discover Walt is still waiting downstairs because his case is the most difficult one Mr. Hoover has ever handled.
Skyler sits with her lawyer and prosecutors, and they are discussing the case. All the details are lost to her as she sort of zones out, thinking about everything that has happened. Walt has exonerated her in the phone call, but she is left with the detritus of his nefarious deeds. With no place to live and working part-time as a taxi dispatcher, using her maiden name, and facing all sorts of obstacles, Walt has left the family he professed to love so much in a precarious situation.
Later on Skyler will confront masked intruders in her hotel room. Todd and friends have come to give her a message – not to ever speak of Lydia (Laura Fraser) who came to the car wash. Skyler is distraught as the men in black hover over baby Holly’s crib (Hasn’t this kid been through enough?), and she promises that she will say nothing. Todd, in his best Richie Cunningham voice, tells her he will have to come back if she does. Once they leave Skyler grabs Holly and almost breaks down. How much more can she endure?
Walt is ensconced in what one could only describe as an alternate prison cell. With no phone, radio, TV, or Internet, he is virtually cut off from the world. In this small wooden cabin he has basic amenities – a wood stove, a refrigerator, and a bathroom – but it certainly resembles a jail cell. This is Walt’s lot because he is a wanted man, his face splashed on every newspaper, TV show, and tabloid. Hoover promises to come back in one month, and warns him that if he leaves the cabin and goes down the road to town that he will be caught.
Back in New Mexico Jesse (Aaron Paul) is desperate to escape Todd, Uncle Jack, and all the rest of the Nazi Cunninghams that have taken him prisoner. Using a paper clip, his figures how to undue his shackles, and manages to flee the hole that he had been cast into. Unfortunately, as he tries to run for it, his image is caught on a security camera, and Todd and crew are hot on his trail. He begs them to kill him, but they have a better idea.
All of this horror leads back to Walt. We can accuse Jesse of not leaving – how many times did he have the chance and did not? We can blame Skyler for forming an alliance with her Macbeth, and we can say that Hank’s hubris drove him to death just as much as Walt’s alliance with the neo-Nazis; however, it all comes back to Walt. The family he said that he did everything for is now in tatters, and his legacy is irreparably damaged.
Back at the cabin Walt does put on the Heisenberg hat, in a scene that is shot from behind. It is the moment we have been waiting for now for weeks – Walter White is completely subsumed now; he is Heisenberg completely. Yet he still clings to some hope that he can help his family, dumping $100,000 into an Ensure box (Hoover brought the drinks there to beef up his withering frame) and wrapping it to send off to Skyler. Walt’s plan is to send the box to one of Junior’s friends.
He shrewdly enlists the aid of a barmaid in town to call Junior at school and pretend to be Marie. Once Junior is on the phone, Walt tells of his plan to send the cash to the friend. Junior (RJ Mitte in another fine performance) explodes at his father. He tells Walt that they don’t want or need anything from him. Echoing Marie from earlier in the season, he says “Just die.” Walt hangs up and then calls the police. He tells the operator that he is calling about the Walter White case. When asked who he is, he says, “Walter White.” He leaves the phone off the hook, goes to the bar for a drink, and waits for the police to come and get him. After speaking with Junior it is clear the only thing he can do for his family is turn himself in.
Then the oddest twist of fate happens – the bartender switches TV channels and Walt sees Elliot and Gretchen Schwartz on Charlie Rose. He watches in horror as his old “friends” denigrate his contribution to their company; in fact, they say all he was responsible for was the name. When Gretchen goes even further, saying that the real Walt was a good and sweet man, Walt stares at the screen with deadly Heisenberg eyes. Yes, that Walt is dead and gone. By the time the New Hampshire police arrive on scene, Walt has gone (but does not forget to leave his bartender a tip).
Apparently seeing the celebrity of the old friends on TV is salt in the wounds, as he is almost relegated to nothingness – no contribution, no recognition, no family, and even no name. Whatever else we can say about Walt at this point, we know he is not going to go quietly into that good New Hampshire night. What comes next is up for debate, but we can imagine that we will revisit the scene of Walt going into his ravaged home to retrieve the Ricin cigarette, seeing the name “Hesienberg” spray painted on the wall. This is not the notoriety he wanted, not the legacy he expected, and we can envision that he will use that M60 in the car trunk to make sure everyone will say his name.
As we reach this point Team Walt may still stubbornly cling to the false sense of Walt being a victim here, but I wonder how long anyone can keep deluding him or herself. Will Walt make a last stand – perhaps comparable to Al Pacino in Scarface – as he tries to wipe out an evil greater than his? Will he free Jesse from imprisonment and then allow Jesse to free him from the mortal coil? I wonder how easily Jesse will be able to shoot Walt, even after Jane and Andrea and Brock and everything else.
If Walt does take out Todd and Jack and crew, is there any redemption there? Or is it a case of Stalin helping to take out Hitler, one evil defeating another? And, when the dust settles, will Skyler and her children ever be able to live normal lives again, or will the money still come into play? I have a feeling Skyler is going to want to wash her hands of everything, take her kids far away, and hope for some kind of redemption for herself. But will that be possible with the heft of Walt’s actions weighing on her and the kids for the rest of their lives?
“Felina,” episode 16 and the series finale, is one of the most anticipated shows in recent memory. Will Walt go out with a bang or a whimper? Place your bets, but my money is on the big bang theory ending things for the chemistry teacher who aspired to be greater than his lot, only to see everything wasted away, and thus makes one last effort for everyone to know his name.
Photo credits: AMC
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