First appeared on Blogcritics.
Fitzgerald argues that Glass is not going to survive these injuries and is holding them back. Henry decides to leave Glass with Fitzgerald, Hawk, and young Bridger (Will Poulter) with the understanding that they will wait until Glass dies and give him a proper burial.
At one point a starving Glass is assisted by Hikuc, a friendly Pawnee (Arthur Red Cloud). Glass and Hikuc exchange stories (both have lost their wives and children), and though Glass seeks revenge Hikuc does not. He tells Glass, “Revenge is in the hands of the creator.” Glass considers this but still also wants to make Fitzgerald pay for what he has done.
This is DiCaprio's best performance to date – he inhabits Glass and breathes life into what is a difficult role to pull-off. Hardy is excellent as the unapologetic killer and thief who sees the world as unfair and is determined to get his share.

Nominated for 12 Academy Awards, director Alejandro G. Iñấrritu’s The Revenant is a gruesome tale of pain and loss and yet remarkably also an inspiring tale of survival and the integrity of the human spirit.
The incredible (based on a true story) journey of frontiersman Hugh Glass (Oscar nominated Leonardo DiCaprio) begins with him and his son Hawk (Forrest Goodluck) as part of a group of trappers led by Captain Andrew Henry (Domhnall Gleeson). They are deep in what was known in 1820 as northern Louisiana Territory. Along on the trip is John Fitzgerald (Oscar nominated Tom Hardy) who has a hatred of Native Americans because they once tried to scalp him in the past.
After a violent attack by the Arikara tribe, many of the men in their group are slaughtered. Glass, Hawk, Henry, Fitzgerald, and some others do escape on a boat. Henry defers to Glass’s intimate knowledge of the area and decides to abandon the boat and cut through the rough country to get to Fort Kiowa. Fitzgerald opposes this move mostly because he resents Glass and his half Native American son.
During their difficult overland journey, Glass inadvertently disturbs a few grizzly bear cubs and incurs the wrath of their mother. In one of the most brutal scenes in the film, the bear gnaws away at Glass as he valiantly fights back. Glass eventually kills the bear but is gravely wounded. Henry and the others find him and tend to him as best as they can. For a time they even try carrying him but it proves too arduous over the difficult terrain.
Fitzgerald argues that Glass is not going to survive these injuries and is holding them back. Henry decides to leave Glass with Fitzgerald, Hawk, and young Bridger (Will Poulter) with the understanding that they will wait until Glass dies and give him a proper burial.
Henry and the rest are not gone too long before Fitzgerald tries to suffocate Glass, but Hawk intervenes and they fight. Fitzgerald kills Hawk, drags away his body, and lies to Bridger that Hawk has been taken by the Arikara.
Although Bridger protests, Fitzgerald is soon digging a shallow grave, dragging Glass into it, and covering him with dirt. Fitzgerald takes Glass’s rifle and everything else from him, but Bridger leaves Glass a canteen.
After they are gone Glass somehow manages to drag himself out of the grave and thus the figurative and literal revenant embarks on a grueling journey in which he will battle to survive in order to return to the fort and get justice for Hawk and himself.
To tell much more would really be spoiler territory, but the general focus during the rest of the film involves DiCaprio doing everything he can to overcome the elements and avoid the Arikara. His performance captures the struggle with broad and subtle nuances, and flashbacks remind us of the love he had for his Native American wife (Grace Dove) and how he lost her during an attack when Hawk was little.
At one point a starving Glass is assisted by Hikuc, a friendly Pawnee (Arthur Red Cloud). Glass and Hikuc exchange stories (both have lost their wives and children), and though Glass seeks revenge Hikuc does not. He tells Glass, “Revenge is in the hands of the creator.” Glass considers this but still also wants to make Fitzgerald pay for what he has done.
Iñấrritu’ manages to keep the film moving briskly, even though there are moments that slow down but do not diffuse the power of the action. The landscapes are breathtakingly beautiful, and the harsh environment is another character in a sense, an obstacle for Glass to overcome and a no less formidable antagonist than Fitzgerald.
In some ways the movie is really two films – one about Glass overcoming extraordinary circumstances and the other about the nature of colonization and the destruction of the Native American way of life. While the Arikara may seem brutal and murderous, they are not much different than the grizzly bear trying to save her cubs. The Arikara Chief (Anthony Starlight) is on a quest to rescue his daughter Powaqa (Melaw Nakehk'o) who has been kidnapped by trappers.
Thus the film is about families shattered and men trying to right wrongs done to them. Glass uses all his frontier knowledge to try to forge ahead and survive, while the Chief does the same to track those responsible for what happened to his daughter.
This is DiCaprio's best performance to date – he inhabits Glass and breathes life into what is a difficult role to pull-off. Hardy is excellent as the unapologetic killer and thief who sees the world as unfair and is determined to get his share.
The rest of the cast does a great job, and Emmanuel Lubezki’s cinematography is stunning. Add a resonant musical score by Ryuichi Sakamoto and Graeme Revell, and this nominee for Best Picture certainly makes a case for being worthy of 12 Oscar nominations.
This is a difficult movie to watch with no comic relief to break the tension. Still and all you will be enthralled by the scenery, repelled by the brutality, and captivated by the powerful performances that make The Revenant a must see film before watching the Oscars.
Photo Credits: foxmovies.com

At the center of the film is Jordan, a talented young actor who explodes on the screen as a dynamic and powerful presence. He makes Adonis strong yet vulnerable, smart but somewhat naïve, loving and yet hardened because of his past. All these things come through in an indelible performance that most definitely is Oscar worthy.
Along the way the strength of the film is the relationship that develops between Rocky and Adonis. Rocky becomes the father figure that Adonis never knew, and Adonis is the son that Rocky somehow let go away. In this way both men not only show respect for each other but the memory of Apollo, the father and friend they both have lost.
On the Democratic side Bernie Sanders has also said he is skipping the next debate before the New Hampshire primary. No, he is not taking a page from Trump’s book but rather Sanders is doing this because he doesn’t want to run afoul of the Democratic National Committee when it has its next “sanctioned” debate.
Everyone who talks about Trump says that he lays out his whole philosophy in The Art of the Deal, so I went to the library and started reading some of it. While it’s not a great read, it is interesting to get into what makes Trump tick.
As for Megyn Kelly, she has held her head high and also has spoken with great professionalism in regards to the situation. Trump may have said that he didn’t want to be at the debate because Kelly will be a moderator, and that doesn’t hurt Kelly but only helps her street cred among fellow journalists.

I am happily home tonight with the wine ready and the fire blazing. The kids are talking about building a snowman tomorrow, and the wife is watching TV. All is well here until when duty calls and the shovel does too. 

I felt particularly sad when I heard the news about Bowie. His diverse music and intriguing style notwithstanding, I really enjoyed watching him as an actor. His films have a surreal quality to them, especially The Man Who Fell to Earth and The Hunger. I also will never forget watching him as a kid when he sang “Peace on Earth” with Bing Crosby; that indelible performance has always stayed with me.

Mrs. Clinton is poised and polished but seems always on the script, and apparently does not like to veer off from what her expectations are regarding questions. She clearly did not score any knockout points, even when she tried to hammer Mr. Sanders on guns, so it seems delivering the coup de grace is not in her debating toolbox, at least not yet.

To remind us of how far we yet have to go we need only to look at the recent Oscar nominations that clearly indicate how white and male Hollywood still must be. In a year when there were strong performances by black actors such as Idris Elba in Beasts of No Nation and Will Smith in Concussion, it is amazing that not one of them was nominated. Actress Jada Pinkett Smith (Will’s wife) has suggested black entertainers boycott this year’s Oscar ceremony as a way to protest the academy’s oversight. Obviously, she is taking a page from Dr. King’s book in knowing that such a boycott will have an impact.

The New York Daily News featured a fitting response to Mr. Cruz on the day after the debate. This cover, criticized for some as going too far, is actually as New York as it gets. You rub us the wrong way or say something inherently stupid as Cruz did, and you’re going to get this reaction. The beautiful thing is that it’s not just New York flipping the bird here – Lady Liberty represents all of America telling Cruz to shut his trap and go back to Canada.

One of Rickman’s performances that I loved perhaps most of all was that of Alexander Dane/Dr. Lazarus in the sci-fi comedy Galaxy Quest. Here we have the perfect part for the man – a serious thespian stuck in a role in a second rate TV series. When the cast of the show gets involved with actual aliens, Rickman’s actions and reactions shine. Even as his Lazarus makeup starts disintegrating, Dane sticks with the old theater adage that the show must go on.
His penchant for comedy – evident in all roles he played – really seeped through the cracks and made him always enjoyable to watch. While I know that he appeared in many other films and remained involved in the theater, I will forever remember him as Hans with his deadpan delivery, quick wit, and a pernicious eye on the ultimate prize.
Ah, the stuff that dreams are made from – all made possible by that little Powerball ticket. I am sure you have some exciting ideas of your own for the big jackpot. Please share them if you will in the comments.